ok, in here we ONLY mention movies that are currently in cinemas or will be in cinemas very soon.

movies to look out for and its probably best not to mention ones most people already know are out. im looking for people to mention lesser known films, ones that might otherwise go unnoticed for lack of media attention, or perhaps if an arthouse film sneaks into the mainstream.

also, in here you can totally blast movies that let you down (troy) so that others wont go and see hyped-up piles of shit. but once again only movies that are *still* in the cinema.

Ok then, it's well known but apparently fits in the second category.

Anyways, I'm currently on a mission from god to ensure that nobody in the world spends actual money to go see Apocalypto. Don't do it. You will be sad.

Pan's labrynth.
Go. Now. You will not be sorry

"Pan's Labyrinth" is the story of a young girl that travels with her mother and adoptive father to a rural area up North in Spain, 1944. After Franco´s victory. The girl lives in an imaginary world of her own creation and faces the real world with much chagrin. Post-war Fascist repression is at its height in rural Spain and the girl must come to terms with that through a fable of her own.

Guillermo del Toro
via IMDB

The film flicks between a bizarre fantasy land and a very rough and gritty 'real' world bang in the middle of the spanish civil war, its also in spanish, with subs but dont let that put you off. I emplore you, do whatever you can to see this film..

trailer (http://www.imdb.com/title/tt0457430/trailers)

ok, why is apocolypto so bad and whats pans labrynth about? btw, if you can bebothered and if they have one you may wish to include a link to a trailer...

most mainstream trailers can be found here (http://www.apple.com/trailers/)

or, if its not then its sometimes linked from here (http://www.imdb.com)

Pan's labrynth.

Go. Now. You will not be sorry

I likes Guillermo Del Toro (sp?). Really a good movie then?

I went to see Pan's Labyrinth last night.

OMFG - best film of the year by far.

Dark, beautiful, horrific, and extremely moving, I am welling up just thinking about the pathetic life of the poor wee girl.


10/10

Thought that this part of the forum was missing a thread on trailers, news and biz from up coming flicks.

Just noticed today on Apple trailers that there is going to be a Silver Surfer (http://www.apple.com/trailers/fox/fantasticfourriseofthesilversurfer/) movie. I loved the Silver Surfer, but after the massacre of the last F4 movie, I don't have high hopes.

What is looking to be a better sequel is the new Harry Potter (http://www.apple.com/trailers/wb/harrypotterandtheorderofthephoenix/) movie. I liked this book, and the films have been getting better as they go along.

Also, if you haven't already seen it - check out Hot Fuzz (p://www.workingtitlefilms.com/trailers/menu_hotfuzz.htm)

I've fancied going to see this one since I read the review a few weeks back. Everything I've read and most of the people who have been to see it are rating it very highly indeed, reckon I might go and check it out on Friday night.

Pan's labrynth.
Go. Now. You will not be sorry

trailer (http://www.imdb.com/title/tt0457430/trailers)

I'm dying to watch this.
Watch out for my review when it's out on DVD

I too was intrigued about this film, Is it really in spanish language with english subs?
I shall do my Barry Norman tomorrow then.

This look fliipin' awesome.The new Transformers movie Trailer..check it (http://63.250.192.34/b02r01/012/yahoomovies/2/31652162.mov?StreamID=31652162&b=c9sj7792hinb74589d7bb&CG_ID=1540534)

Meh. It looks alright. BUT. The Transformers look fucking ugly and nothing like they should do.

*fanboi

What is looking to be a better sequel is the new Harry Potter (http://www.apple.com/trailers/wb/harrypotterandtheorderofthephoenix/) movie. I liked this book, and the films have been getting better as they go along.

IMO they've got progressively worse, and the first one was shit anyway.

Transformers looks like it will deliver - despite being a Michael Bay movie. I despaired when I found that out.

transformers: i think i just got wood. that looks awesome!

More sequels -

Shrek the third (http://www.apple.com/trailers/paramount/shrekthethird/)

And 28 weeks later (http://www.foxatomic.com/#PAGE_101:movie=/cols/cols_1600_1_28wclip.flv&movie_id=1601)

the latter, complete with another blinding Godspeed track and Robert Carlyle on board has to be a winner. The last movie had an amazing first half - in fact possibly the most mesmorising first half hour of a film ever. Lost the plot towards the end, but there was definitely somthing about it.

More freakin' sequels:

http://www.youtube.com/watch?v=2F9eCSav9x0

Also, if you haven't already seen it - check out Hot Fuzz (p://www.workingtitlefilms.com/trailers/menu_hotfuzz.htm)


Loved Shaun of the Dead. This looks like it good be just as good :D

Ooooooooooh I'm on a roll!

Dont know wether to laugh or cry

We have Goat Rider....

this is.........

http://www.imdb.com/title/tt0259324/trailers-screenplay-E27705-10-2

Why are you so calm, have you done this kinda stuff before?
:haha:

New Danny Boyle film coming out:

sunshine (http://www.apple.com/trailers/fox_searchlight/sunshine/)

This one is particularly good in HD and it has Uno's theme music :D

Putting the trash in trailer trash is Uwe boll's latest computer game based offering Postal.
YouTube - POSTAL PRE TRAILER

ok, i merged the trailer trash and in theatres now! threads as they are kinda the same thing and we have too many stickies.

that is all.

On the subject of Pan's Labyrinth, watched it last night. Was well impressed. Really stunning, moving and intruiging.

I am so goddamned excited about this movie:
http://www.youtube.com/watch?v=F6EPjnQEZWs
:hyper:

nice.

is anybody else dying to watch this one?
http://www.youtube.com/watch?v=eQ3Bqwn4rZk

Excellent. I loved that book as a kid. Mind you, I love the sheep pig too bt Babe didn't do it justice, I hope this is as good as the book.

Pan's Labyrinth is excellent but its hardly overlooked now is it...

OK so upcoming movies to see

300!! (Looks amazing!)

TMNT - Teenage Mutant Ninja Turtles (because it's TMNT and who didn't love it as a kid!)

Transformers - Despite Michael Bay's connection. It should still deliver!

Outlaw - A Sean Bean (remember him?) movie, starring Bob Hoskins, Danny Dyer and other rag tag actor types!

Films not to see!!!

Ocean's 13.... Need I say more, could be saved by Pacino I suppose?

Speaking of Sean Bean - he plays mad-as-a-bag-of-frogs John Ryder in teh newmake version of The Hitcher (http://www.apple.com/trailers/rogue_pictures/thehitcher/)

Pirates 3 trailer just out.

http://disney.go.com/disneypictures/pirates/atworldsend/
(I thought it may be slightly spoilery do you have been warned)

YARRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR!

New Danny Boyle film coming out:

sunshine (http://www.apple.com/trailers/fox_searchlight/sunshine/)

This one is particularly good in HD and it has Uno's theme music :D

i actually saw a screening of this a few weeks ago. These were my comments i post on my local forum:

"i blagged a press screening of this last week, and i can tell you it's damn amazing.

It's nothing like the core...and it's definitely not another disaster movie..Much more in line with Alien etc...Some seriously thought provoking stuff, not so much the science (although that is interesting), but more the human interaction stuff.

I am a big danny boyle supporter, although i wasn't a massive fan of the ending of 28DL..i still rate it highly as a film...Some of the set pieces (particularly the intro sequence in London and the tower block chase) were incredible...

As with sunshine, the thought-provoking stuff was actually quite early on. A lot of the same themes of claustrophobia and harsh-moral-decision-for-the-greater-good are present in both sunshine & 28DL

I mean ask yourself...Could you kill a loved one to save the rest of mankind? (that's the sort of thing the crew in sunshine face)

It;s a simple, but genuinely intriguing moral dilemma...

Well could you?"


Also just seen a review on aintitcool from a screening here in London a couple of days ago:

"Having had the pleasure to catch a screening of Danny Boyle’s new film Sunshine, followed by a Q&A with the man himself and star of the film Cillian Murphy, I thought I’d share my 2 cents worth with you.

Essentially the plot is that the sun is slowly dying and a group of scientists are on a mission to reverse this by ‘kick starting’ the sun. The film knowingly references many sci-fi films from the serious and reflective, 2001 and Aliens, to the more popcorn, Event Horizon. To give you an early idea of how much I enjoyed it I’d place it much closer to the first two films mentioned than the latter. In fact some of the scenes almost feel like updated versions of Kubrick’s film (watch out for the monoliths at the end!) As their ship (the Icarus II) gets closer to the sun they encounter Icarus I, from an earlier, failed attempt. As soon as they decide to change course and investigate things start to go wrong.

Some of the most wonderful thing about the film are the visuals and sound design, this film is a treat for the senses. The CGI work is exemplary and goes a long way to establishing the sun as a character in its own right. The sound design suits the grand scale of the picture perfectly, we’re talking Oscar quality here, and Danny Boyle’s directing is at times mesmerising. The choices he makes behind the camera are inspired. He manages to infuse the screen with beauty, from the serene depictions of the ship at the beginning of the film to the extreme, jumpy, staccato, blurry and physically jarring work that comes later. It is all note perfect.

The acting unfortunately is not quite so stellar. It’s not to say that there are not some fine performances but they are all overshadowed by the truly excellent visuals. Whilst Boyle does his best to balance everything out there is no denying that the visuals, don’t necessarily overpower, but are of a much higher standard that some of the acting on display. Cillian Murphy puts in a strong performance and is able to convey the internal struggle of the character very well. Both Michelle Yeoh and Hiroyuki Sanda are very good and Rose Byrne equips herself well in a part that is far too small. The other performances range from average to poor, the main problem being that the supporting actors are unable to fully portray the intellectual gravitas that such people in their position and their characters would inevitably have and that ultimately weakens the impact of the film. That’s not to say its all their own fault as the characters on the periphery are very one sided and stereotypical not leaving the cast a great deal to work with. Though it is not long before in true sci-fi style they meet untimely demises.

The closer the crew travel to the sun the more their obsession with its power takes control to the point where it takes on almost mythical proportions and the film poses some metaphysical questions.

A hugely enjoyable if not totally original film Sunshine would not exist if it were not for those that have gone before it. Boyle has borrowed from the best sci-fi of the last 40 years and brought it bang up to date. I personally can’t wait to watch it again!"

:)

Sounds good. Was excited about this from the moment I saw the trailer.

Looks like Danny Boyle is paying homage to Kubrick's 2001 in some of those shots.

Sounds good. Was excited about this from the moment I saw the trailer.

Looks like Danny Boyle is paying homage to Kubrick's 2001 in some of those shots.

yup - classy as hell. I'll see if i can find some pix when i get a minute

Sounds good, I was surprised at the lack of press for this film online.. only saw a trailer for it a week or so ago and was affraid it'd be just like the Core, glad to hear otherwise :)

Sounds good, I was surprised at the lack of press for this film online.. only saw a trailer for it a week or so ago and was affraid it'd be just like the Core, glad to hear otherwise :)

Hmmm....there's been lots of press elsewhere. 2 big features in both Empire and Total film plus a back page advert on the latter. It does look good though, even if Cillian Murphy is still to much of a prettyboy to be a scientist...(or a Doctor in Batman)

Hmmm....there's been lots of press elsewhere. 2 big features in both Empire and Total film plus a back page advert on the latter. It does look good though, even if Cillian Murphy is still to much of a prettyboy to be a scientist...(or a Doctor in Batman)

right - i'm going to try and google good looking scientists to see if your theory holds up

:meh:

Proper trailer for "28 weeks later" out now: http://www.apple.com/trailers/fox_atomic/28weekslater/

I was sold on the wee sneak preview that was posted a while back, it had the auld Godspeed, rising guitars ringing away and it looked like rushes, so the quality was gritty and grainy - new trailer has Muse and is a bit too glossy. One of the beautiful things about the original was that it was shot on digital tape (miniDV I think).

just found this > http://www.myspace.com/sunshinemovie

More clips etc....interesting choice of top friends ;0)

Hmmm....there's been lots of press elsewhere. 2 big features in both Empire and Total film plus a back page advert on the latter. It does look good though, even if Cillian Murphy is still to much of a prettyboy to be a scientist...(or a Doctor in Batman)


hearing a lot of different reviews of this now - seems to be polarising people something chronic. two reviews from papers here - seems to sum it up fairly well..

http://img142.imageshack.us/img142/6323/londonliteds1.jpg

http://observer.guardian.co.uk/review/story/0,,2042098,00.html

"2007: a scorching new space odyssey


One of the most exciting British movies this year is Danny Boyle's sci-fi epic, Sunshine, which puts the divine back into a genre that had lost its way. To film-makers, it seems, the infinite has a spiritual attraction

Mark Kermode
Sunday March 25, 2007
The Observer

At a key moment in Danny Boyle's radiant new sci-fi film Sunshine, a character is asked, 'Are you an angel?' With its retina-scorching visuals, which blaze from the screen into the dark abyss of the cinema auditorium, this extraordinary epic certainly seems to burn as brightly as a host of fiery angels. Set in 2057, Sunshine follows the crew of the spaceship Icarus II as they attempt to deliver a thermonuclear payload into the heart of the sun, lending new light to our galaxy's inexorably darkening star. En route, they pick up a distress signal from their lost predecessor, Icarus I, which disappeared into the void seven years earlier. Like an interstellar Marie Celeste, the first Icarus now hangs in space like a ghost ship, seemingly without a soul in sight. But as the reason for its mission failure is gradually revealed (more psychological than scientific), the crew of Icarus II fall prey to the eternal inner demons which haunt those who fly too close to the sun.

Article continues
Shot not in Hollywood but in the 3 Mills studios in London's East End, Sunshine boasts extraordinary computer graphic imagery so luminescent you feel you could get sunburn just watching the film. As a sensory experience, it's overwhelming. But perhaps more importantly, Sunshine also harks back to a time when sci-fi turned its attention not toward the hallowed teen market but toward the heavens. Although screenwriter Alex Garland has said the inspiration for the film came from 'an article projecting the future of mankind from a physics-based, atheist perspective', this ambitious British fantasy increasingly blurs the boundaries between science and religion. In this respect, it falls within a grand tradition of adult-orientated science-fiction which is haunted by the question of divinity, whether as a presence or an absence.

These ideas are familiar to director Danny Boyle, who had a traditional religious upbringing, and planned to join a seminary at the age of 14. 'I was at school in Bolton,' he remembers, 'and all set to transfer to this seminary near Wigan. Then one of the priests told me that maybe I should wait, maybe I should stay and finish my school education. Quite soon after that, I saw A Clockwork Orange, which was the first film I went to see by myself. And it just changed everything. I know it all sounds too neat, but that's what happened.'

Boyle went on to make Trainspotting, which has been dubbed 'the Clockwork Orange of the Nineties' - a viscerally hip portrait of anarchic youth culture which became both a controversial modern film classic and a defining pop icon. Yet despite his current free-form agnosticism, Boyle's films have continued to be haunted by the detritus of his religious background, from the worldly angels of the romantic fantasy A Life Less Ordinary (which owes a debt to Powell and Pressburger's A Matter of Life and Death aka Stairway to Heaven) to the solidly earthy apparitions of saints who appear to the young hero of the underrated Millions. Other Boyle hits include 28 Days Later, a Garland-scripted zombie shocker set in a terrifying post-apocalyptic Britain. Now, with Sunshine, Boyle has set his sights higher than ever before, making a film which addresses 'what happens to your mind when you meet the creator of all things in the universe'.

Sci-fi fans will see a range of familiar texts echoed in the broadstrokes outline of Sunshine, most notably Paul WS Anderson's Event Horizon, a flawed but fascinating Nineties Brit-pic in which a lost spaceship re-emerges from a black hole having been to hell and back - literally. There are also nods to John Carpenter's Seventies cult classic Dark Star, in which co-creator Dan O'Bannon plays Sgt Pinback, whose oddball moniker inspired Sunshine's most mysterious character, Pinbacker. O'Bannon went on to co-write Alien, Ridley Scott's deep space shocker to which so much modern sci-fi owes a debt, and with which Sunshine shares its use of the time-honoured 'intercepted distress signal' motif. And then of course there's my own personal favourite, the underrated sci-fi masterpiece Silent Running - Doug Trumbull's eco-warning dystopian fantasy in which the last of Earth's forests are consigned to giant geodesic domes in space, an idea that appears to have blossomed into the 'oxygen gardens' aboard the Icarus spaceship in Boyle's 21st-century adventure.

Yet the primary heavenly body around which Sunshine charts its orbit is Kubrick's 2001: A Space Odyssey, a weighty and portentous work which opens with 'The Dawn of Man' and climaxes with the birth of a Star Child in what appears to be an extraterrestrial rewriting of the creationist myth. Just as God creates Adam in his own image in Genesis, so the 'aliens' of 2001 transform a dying astronaut into a perfectly formed space baby, the first of a new species which will return to earth (presumably) to herald the next age in man's cosmic evolution.

This conclusion may be obliquely expressed (I remember thinking 'what was all that about?' and having to read the novel to find out) but the mesmerising symphony of sound and vision which constitutes the film's final act clearly suggest a metaphysical encounter way beyond the realms of rational explanation. Dubbed 'the ultimate trip', Kubrick's psychedelic movie used music by the avant garde composer Gyorgy Ligeti, which Underworld's Karl Hyde admits profoundly influenced his own work on the music for Boyle's new film. 'I'd never heard anything like it,' says Hyde of Ligeti's Lux Aeterna, which sounds for all the world like choirs of alien angels ringing throughout the heavens, investing 2001's baffling denouement with undeniable overtones of religious ecstasy and unearthly transcendence.

There's a strikingly similar blend of science and theology in Sunshine, in which whizz-kid physicist Capa (played by the ethereally blue-eyed Cillian Murphy) comes face to face with his maker in the shape of a dying sun. Just as the enigmatic monoliths from 2001 act as creative gods to the earthlings, so the sun serves as both the giver of life and the source of all knowledge in Boyle's soul-searching movie.

'I tried to keep it visual,' says Boyle, 'because some of the ideas in the film are very hard to talk about. But when we were making Sunshine, which involved a lot of post-production special effects, my responsibility to the actors was to describe to them what they would be seeing. I was brought up in a religious environment, and so my natural tendency was to lapse into descriptions which were broadly creationist. I'd be saying things like: "Kneel before the source of all creation, bow down before the source of all life!" And even Alex [Garland], who is quite an aggressive atheist, has that same cultural instinct in the language that he uses.'

So too, it appears, does Sunshine's scientific consultant Dr Brian Cox, who works at Cern (the Centre for European Nuclear Research), the world's largest particle-physics laboratory. According to Boyle, Cox's work includes the pursuit of the 'Higgs boson', the missing piece in the current theory of the fundamental nature of matter which is affectionately known amongst scientists as the 'God particle'. 'Brian Cox admits that you can't really speak about these things without allowing for what some people would call a "spiritual dimension",' says Boyle. 'The question is, of course, whether that spiritual dimension is just a constraint of the language - the fact that we simply have no other vocabulary to describe such things. I think that's what Alex believes. But for me, what Capa sees at the end of the movie is definitely something beyond the rational.'

The other significant star in Sunshine's cinematic galaxy is Tarkovsky's Solaris, a sombre Russian classic which, like 2001, uses a journey into deep space to dramatise a symbolic voyage into the very soul of man. Tarkovsky and Kubrick were aware of each other's work, and their joint efforts represent the twin peaks of a neo-spiritualist brand of science-fiction cinema which reached its apotheosis in the late Sixties and early Seventies. Other contemporaneous works (which flourished in the period before Star Wars turned sci-fi into an amusement park ride) include John Boorman's bonkers Zardoz, a self-important romp with philosophical pretensions. Here, Sean Connery (in leather straps, boots, and fetching posing pouch) can be found climbing inside the mouth of the flying deity Zardoz which rules the wastelands of the earth in a godforsaken near-future. Zardoz is meant to be a marauding, all-powerful divinity but, as Connery's Zed discovers, he is nothing more than a false idol - a smoke-and-mirrors illusion like the Wizard of Oz ('Zard-Oz', geddit?). The movie was pretentious, boring, and very, very silly. But its adults-only X-rating and esoteric script spoke volumes about the grown-up aura that sci-fi had attained in the wake of 2001 and Solaris

Nor were the theosophical tendencies of the genre utterly quelled by the kidtastic assault of George Lucas and his clones. Although Star Wars and its spin-off sequels and prequels played primarily to a congregation of children and arrested adolescents, the endless ooga-booga about 'The Force' and 'The Dark Side' have since flourished into something resembling a modern religion which commands an army of merchandise-hungry disciples. I can't stand the Star Wars movies, which always seemed to me to represent a gross infantalisation of the dark hearted 'serious' sci-fi (Quatermass and the Pit, Silent Running, Soylent Green) on which I was raised. But I've heard pulpit preachers quote Yoda in their attempts to engage young people with religion, the battle between Good and Evil having been played out in the popular imagination as a war between Sith Lords and Jedi Knights.

Even Captain Kirk has dabbled in the search for God, most egregiously in Star Trek V: The Final Frontier in which the Enterprise boldly goes 'through the barrier' between this world and the next. One sub-2001 light show later, and Kirk is splitting infinitives in heaven. Of course, it all turns out to be a Zardoz-style con, but not before everyone has had a chance to pontificate at great length about the meaning of paradise and the nature of the divine being. (The film was directed by William Shatner himself, which perhaps explains why God turns out to be no match for Captain Kirk.)

Danny Boyle sensibly prefers Robert Zemeckis's 1997 film Contact, large swathes of which involve heated debate about whether a priest, a psychoanalyst or a particle physicist would be best placed to represent mankind in our first meeting with extraterrestrial life-forms. 'I was there on opening night,' says Boyle, a devoted sci-fi fan with an enthusiasm for the genre in all its forms. He was even slated to direct the third Alien sequel but backed out due to anxieties about the level of special effects and the studio's evident desire for a nuts-and-bolts, action-orientated romp.

Having completed Sunshine, however, this endlessly energetic filmmaker has no plans to revisit sci-fi, which has a habit of producing creative burn-out. 'There's a reason why many directors only make one science-fiction film,' he says.

'It's because you exhaust yourself... spiritually. I do think that I've become more spiritual working on this - you have to be open-minded. The interesting thing is that the more commercial sci-fi films, like Event Horizon or Alien, tend to go for Hell in space. But maybe its more ambitious to aim for Heaven...'"

http://www.sunshinesunspots.com/

cute idea...and lol @ the first entry > http://youtube.com/sunspotsmessageuk

We get the idea now, you like that film!

I'm STILL waiting for the ATHF movie, should be here very soon though :)

We get the idea now, you like that film!

I'm STILL waiting for the ATHF movie, should be here very soon though :)

:dance:

ok ok ok...haha

what's ATHF?

Aqua Teen hunger Force. I posted the trailer when it first came out a few months back, it has a flaming chicken in it. Any film with a flaming chicken in it has to be good right?

Aqua Teen hunger Force. Was it here I posted the trailer? I forget

not seen it - post again?

I checked and edited that post, sorry! It's on the first page of this thread. Look for the flaming chicken (did I mention I find flaming chickens hilarious?)

I checked and edited that post, sorry! It's on the first page of this thread. Look for the flaming chicken (did I mention I find flaming chickens hilarious?)

cheers :)

The new Rambo trailer, it gets pretty gorey near the end of it.
http://www.youtube.com/watch?v=ColXeVm-gxY

fuck yeah!

that looks cool

:stupid:

I was extremely skeptical about the whole thing, but fuck me, that looks superb.

Surprising amount of gore and graphic scenes for a trailer!
Wonder if Arnie will make any new sequels....

Surprising amount of gore and graphic scenes for a trailer!
Wonder if Arnie will make any new sequels....

I read somewhere (possibly here, DOH!) that Terminator 4 is in the making, iusing Arnie outtakes from older Terminator movies.

Sounds - er - shit.

Whereas Rambo XII looks blimmin great - hurrah for body enhancing drugs!

Whereas Rambo XII looks blimmin great - hurrah for body enhancing drugs!
Fucking hell have I missed out on 8 Rambo films I didn't know about.

This looks a laugh.

YouTube - SuperBad trailer

Here's what I think looks good:

The Darjeeling Limited (http://www.apple.com/trailers/fox_searchlight/thedarjeelinglimited/) - Wes Anderson reunites with Owen Wilson and Jason Schwartzman and bizzairely adds Adrien Brody.... looks very Tenebaums / Steve Zissou-esque

No Country for Old Men (http://www.apple.com/trailers/miramax/nocountryforoldmen/) - the Coen brothers made this. Looks creepy as hell. All the atmosphere of Fargo without the humour....

Eatern Promises (http://www.apple.com/trailers/focus_features/easternpromises/) - the new flick from David Cronenbourg reunited with "History of Violence" Vigo Mortensen, also Vince Cassel makes an appearance. Nice.

Iron Man (http://www.apple.com/trailers/paramount/ironman/) - Heard about this a while ago. Looks kwality.

Chorby: This looks a laugh.

Superbad is excellent. I saw an early preview and it really is hilarious. McLovin!!

Other good movies which are out/coming out include:
* In The Hands of Gods - film documentary about five young British lads travelling from New York to Argentina trying to meet their hero Diego Maradonna
* Atonement - has had a lot of media attention but really is a stunning film
* 3:10 To Yuma - western with amazing storyline, brilliant tension building and wonderful cinematography



On a side note, I wish cinema tickets were cheaper as I really enjoy going to movies I don't know anything about/aren't Hollywood blockbusters/are out of my usual field of interest. Hurrah for Orange Wednesdays and hurrah for Director's Chairs (at Odeon).

This looky good. Michel Gondry is a funky wee director and Jack Black and Mos Def has got to be a good pairing.

http://www.apple.com/trailers/newline/bekindrewind/

Star Trek?! (http://www.apple.com/trailers/paramount/startrek/)

Never saw that coming.
Interesting cast, including Simon Pegg & Eric Bana.

New Neil Marshal film. Looks like Mad Max set in Glasgow....

http://www.apple.com/trailers/universal/doomsday/

At least they wouldn't of had to build elaborate sets to depict an apocalyptic Scotland.

Big green angry man;

http://www.apple.com/trailers/universal/theincrediblehulk/

A couple of unknown old guys (I think they were both in Heat) in this one:

http://www.apple.com/trailers/independent/righteouskill/